Phish<br /> Clifford Ball Day 1<br /> Plattsburgh Air Force Base <br /> Plattsburgh, NY <br /> August 16, 1996<br /> <br /> DTS-Audio-CD 5.1 Mix<br /> <br /> Disc 1<br /> <br /> 01 [03:20] Captain Sanity Intro<br /> 02 [06:21] Chalkdust Torture <br /> 03 [10:30] Bathtub Gin <br /> 04 [08:51] Ya Mar <br /> 05 [06:25] AC/DC Bag <br /> 06 [09:09] Esther &gt;<br /> 07 [13:08] Divided Sky <br /> TT [64:08]<br /> <br /> Disc 2<br /> <br /> 01 [07:16] Halley's Comet &gt; <br /> 02 [14:04] David Bowie <br /> 03 [13:29] Split Open &amp; Melt <br /> 04 [03:49] Sparkle <br /> 05 [08:47] Free <br /> 06 [10:45] The Squirming Coil <br /> 07 [05:05] Waste *<br /> 08 [03:51] Talk *<br /> 09 [03:11] Train Song *<br /> 10 [03:54] Strange Design * <br /> 11 [01:29] Hello My Baby *<br /> TT [75:48]<br /> <br /> Disc 3<br /> <br /> 01 [15:59] Mike's Song &gt; <br /> 02 [06:00] Simple &gt; <br /> 03 [06:12] Contact &gt; <br /> 04 [09:48] Weekapaug Groove <br /> TT [38:02]<br /> <br /> Disc 4<br /> <br /> 01 [07:55] Makisupa Policeman &gt; <br /> 02 [06:26] Also Sprach Zarathustra &gt; <br /> 03 [15:20] Down With Disease &gt; <br /> 04 [05:20] NICU <br /> 05 [03:20] Life On Mars <br /> 06 [20:17] Harry Hood<br /> Encore <br /> 07 [01:55] Amazing Grace <br /> TT [60:36]<br /> <br /> * acoustic, mini-stage<br /> <br /> ---------------------------------------------------------<br /> <br /> Source Info<br /> <br /> SBD<br /> Source: SBD &gt; DAT (99% of the show) <br /> Transfer: Tascam DA40 DAT@48kHz &gt; REBA &gt; Wavelab 4.0e &gt; <br /> 44.1kHz Wav &gt; CD Wave &gt; SHNv3 **NO DAE WAS INVOLVED** <br /> Via: The immortal, unstoppable Marmar<br /> <br /> AUD<br /> Source: FOB: AKG 460B/ck61 &gt; Sonosax SX-M2 &gt; DA-P1 (@ 48kHz)<br /> recorded FOB on a stand<br /> <br /> Transfer:<br /> Sony PCM-R500 &gt; M-Audio MicroTrack &gt; CF Card &gt; usb &gt; pc &gt; <br /> WaveLab 5.01b (fades, resample to 44.1 kHz) &gt; CD Wave &gt; FLAC <br /> Recorded by Dave Flaschner<br /> Transferred by Jason Sobel <br /> <br /> ---------------------------------------------------------<br /> <br /> Tech Notes<br /> <br /> FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble <br /> the tracks back to 1 long wave. CEP2.0 was used to align &amp; <br /> synch both of the sources. CEP2.0 used to adjust the volume for <br /> the center and LFE channels. Surcode CD Pro DTS was used <br /> to encode to DTS. <br /> - Mixed by dan@am-dig.com<br /> - FLAC conversion done 01-JAN-2006 <br /> - Artwork at 300dpi by dan@am-dig.com <br /> - For best results print at the highest resolution onto glossy <br /> photo paper. Design for use in a clear quad jewel case. <br /> <br /> ---------------------------------------------------------<br /> <br /> DTS-Audio-CD Info<br /> <br /> Front <br /> Left Channel SBD <br /> Right Channel SBD <br /> <br /> Center <br /> Mixed to Mono &amp; D'EQed -6db SBD<br /> <br /> Surround <br /> Left Channel AKG 460B/ck61<br /> Right Channel AKG 460B/ck61<br /> <br /> Sub/LFE <br /> Mixed to Mono -5db SBD <br /> <br /> ---------------------------------------------------------<br /> <br /> Notes (new approach)<br /> <br /> The SBD source had some sector boundary issues. At every track <br /> change there was approx. 0.025 seconds of music dropped. This <br /> although completely inaudible, made things difficult to synch. <br /> I had the option to either trim the exact same amount from the <br /> AUD or &quot;add&quot; the missing portion with a patch from either the SBD <br /> or the AUD. In the end I did a combination of all 3. Because <br /> this is only a fraction of a second edit the patches are smooth <br /> and completely undetectable.<br /> <br /> This is interesting, check your SBD copies. This SBD source <br /> was mysteriously missing approx 1min 56sec of Davied Bowie. This <br /> was done with a very clever splice. I went ahead and patched <br /> this missing portion with a DAT SBD copy I have had for years. <br /> I applied 6 second crossfades at each end. This patch is smooth <br /> and most likely undetectable.<br /> <br /> Besides the missing material in the middle of the jam in David <br /> Bowie the is a source change at approx 10min 35sec. This source <br /> is sitill SBD but much more &quot;narrow&quot; although still stereo. I went<br /> ahead and patched this with my DAT SBD copy. Under very close <br /> scrutiny this source switch may be detectible.<br /> <br /> Split Open and Melt uses 3 diffent sources, all in the very <br /> first minute. It starts off with approx 37 seconds from an FM <br /> DAT source some kind unknown person sent me a year or so ago. <br /> Then switches to approx 25 seconds of a 2 AUD source matrix mix. <br /> This AKG source plus the AUD source that originally patch the <br /> whole first minute. Then at approx 1min 3sec it switches to the <br /> FM DAT source to complete the song. These source switches are <br /> obvious to the listener but is not in jarring or disruptive. <br /> Several second crossfades were used btwn sources to make the <br /> transitions as smooth as possible<br /> <br /> I applied a gradual step up increase of +8db to the SBD and <br /> the AUD sources on the acoustic numbers in set 2. Then a <br /> gradual step down to the original recording levels. This is<br /> so you can enjoy the acoustic numbers without increasing the<br /> volume and then blowing your speakers when Mike's Song starts.<br /> <br /> This entire show can be rejoined seamlessly on longer media.<br /> <br /> ---------------------------------------------------------<br /> <br /> Additional Formats<br /> <br /> This show is available in the following formats:<br /> <br /> 1. The straight DSBD and FOB: Schoeps MK4<br /> 2. SBD + AUD Matrix Mix at 16/44 CD-Audio<br /> 3. SBD + AUD Matrix Mix at 24/48 DVD-Audio<br /> 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound<br /> 5. SBD + AUD DVD-Audio 5.1 Surround Sound<br /> <br /> ---------------------------------------------------------<br /> <br /> More On DTS<br /> <br /> Today's audio standards are moving towards multi-channel <br /> sound, like DTS and Dolby Digital. While the Audio-CD <br /> standard (Red Book) hasn't changed to accommodate these <br /> new sound formats, it is still possible to go around the <br /> specification and to put a 5.1 surround recording on a <br /> regular Audio-CD. To play a DTS-Audio-CD you must connect <br /> your DVD/CD player via a digital cable (optical or coaxial) <br /> to your DTS Dolby-Digital receiver. It is not 100% sure that <br /> your receiver will recognize a DTS-Audio-CD, so the first <br /> time you're trying to playback a DTS-Audio-CD you must do <br /> a test to determine if it can. Begin with the volume very <br /> low, start the disc and rise the volume gradually. NEVER <br /> listen to a DTS-Audio-CD through the analogue audio outputs <br /> of your CD/DVD player.<br /> <br /> Burning Instructions<br /> Burn them the absolute same way as you would burn any normal <br /> Audio-CD from FLAC files.<br /> <br />

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