Phish 10-30-90 El Dorado Cafe, Crested Butte, CO * 16 track mix SBD *
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Phish<br /> 10-30-90<br /> El Dorado Cafe, Crested Butte, CO<br /> <br /> <br /> --------------------------------------------------------------------------------------------<br /> Source: Separate from Soundboard 16 track Mix (see notes below) &gt; DAT@44.1<br /> <br /> Conversion: Tascam DA-20 MkII-&gt; Monster Coax-&gt; M-Audio Audiophile 24/96-&gt;<br /> Soundforge 5.0e (48KHz-&gt;44.1KHz at highest setting [4 of 4],<br /> with anti-alias filter)-&gt; CD Wave 1.62-&gt; mkwACT v0.97<br /> **No DAE at all**<br /> <br /> Minor Edits: Fades in/out at cassette flip, as well as the start/end of set.<br /> <br /> &quot;Sbd/Aud mixes: The following shows were recorded to DAT from a separate<br /> recording board at the shows. They are some of the highest quality <br /> Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90, <br /> 11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91, <br /> 3/23/91, 4/5/92. <br /> <br /> Except for the 4/5/92 tape, they have all been fairly widely circulated.<br /> They were done on a large recording console (not EQ) and mixed completely<br /> separately from the board mix, rumoredly done in a truck outside the venue. The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them). See also, PA info.&quot;<br /> <br /> Quoted from: <a href="http://www.phish.net/PhishFAQ/tquality.html">http://www.phish.net/PhishFAQ/tquality.html</a><br /> <br /> Info From Kevin Shapiro: &quot;11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and run direct to 2 track DAT. He basically used the same setup in Spring 1991 too.&quot;<br /> <br /> ----------------<br /> Transferred by Dan Marquardt &lt;danmarq@msn.com&gt;, please contact me with questions/comments.<br /> There are also 48KHz shn's of this seed for archival.<br /> --------------------------------------------------------------------------------------------<br /> _______________________________________________________________<br /> <br /> *Dankseed Certification received 2002-03-30*<br /> and posted at <a href="http://groups.yahoo.com/group/dankseeds/files/ph1990-10-30.sbd/">http://groups.yahoo.com/group/dankseeds/files/ph1990-10-30.sbd/</a><br /> Listening test performed by *5* danksters<br /> <br /> positive criteria met:<br /> Tracking- OK<br /> Seamless and complete- OK<br /> Lineage listed- OK<br /> <br /> negative criteria met:<br /> DAE- NO<br /> Resampled- NO<br /> Diginoise- NO<br /> _______________________________________________________________<br /> <br /> CD/Set 1#: [53:58]<br /> 01. The Landlady-&gt; [4:13]<br /> 02. Bouncing Around the Room [3:57]<br /> 03. 'Sound Problems'* [5:28]<br /> 04. Donna Lee [3:58]<br /> 05. 'More Sound Issues' [4:10]<br /> 06. The Asse Festival-&gt; [2:01]<br /> 07. Suzy Greenberg [5:11]<br /> 08. Uncle Pen [4:25]<br /> 09. Cavern [5:15]<br /> 10. The Squirming Coil [6:02]<br /> 11. Possum [9:18]<br /> <br /> CD 2/Set 2a: [1:11:18]<br /> 01. Mike's Song-&gt; [6:24]<br /> 02. I Am Hydrogen-&gt; [2:35]<br /> 03. Weekapaug Groove [5:44]<br /> 04. Magilla [5:33]<br /> 05. Foam [8:22]<br /> 06. Reba-&gt; [10:55]<br /> 07. Llama [5:21]<br /> 08. The Ballad of Curtis Loew [5:01]<br /> 09. Fluffhead [14:44]<br /> 10. HYHU-&gt; Terrapin-&gt; HYHU [6:39]<br /> <br /> CD 3/Set 2b: [49:13]<br /> 01. Buried Alive-&gt; [2:54]<br /> 02. David Bowie [12:44]<br /> 03. Crowd Noise/Stage Chatter [2:47]<br /> <br /> CD/Set 3:<br /> 04. Paul and Silas-&gt; [3:15]<br /> 05. Lizards [9:59]<br /> 06. Good Times Bad Times [5:04]<br /> 07. Contact [6:56]<br /> 08. AC/DC Bag$ [5:43]&lt;--<br /> <br /> --------------------------------------------------------------------------------------------<br /> <br /> -Venue uncertain.<br /> #During the first set, there are 'noise' artifacts from the Soundboard, they are NOT on the DAT (like 12/8/94).<br /> *2 drop outs due to the fact that the stage crew was correcting the sound problem, therefore the tape is stopped.<br /> $Many dropouts throughout the song, almost unlistenable. If a better seed can be provided, contact me @ danmarq@msn.com

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