Phish<br />
10-30-90<br />
El Dorado Cafe, Crested Butte, CO<br />
<br />
<br />
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Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1<br />
<br />
Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-><br />
Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4],<br />
with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97<br />
**No DAE at all**<br />
<br />
Minor Edits: Fades in/out at cassette flip, as well as the start/end of set.<br />
<br />
"Sbd/Aud mixes: The following shows were recorded to DAT from a separate<br />
recording board at the shows. They are some of the highest quality <br />
Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90, <br />
11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91, <br />
3/23/91, 4/5/92. <br />
<br />
Except for the 4/5/92 tape, they have all been fairly widely circulated.<br />
They were done on a large recording console (not EQ) and mixed completely<br />
separately from the board mix, rumoredly done in a truck outside the venue. The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them). See also, PA info."<br />
<br />
Quoted from: <a href="http://www.phish.net/PhishFAQ/tquality.html">http://www.phish.net/PhishFAQ/tquality.html</a><br />
<br />
Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and run direct to 2 track DAT. He basically used the same setup in Spring 1991 too."<br />
<br />
----------------<br />
Transferred by Dan Marquardt <danmarq@msn.com>, please contact me with questions/comments.<br />
There are also 48KHz shn's of this seed for archival.<br />
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_______________________________________________________________<br />
<br />
*Dankseed Certification received 2002-03-30*<br />
and posted at <a href="http://groups.yahoo.com/group/dankseeds/files/ph1990-10-30.sbd/">http://groups.yahoo.com/group/dankseeds/files/ph1990-10-30.sbd/</a><br />
Listening test performed by *5* danksters<br />
<br />
positive criteria met:<br />
Tracking- OK<br />
Seamless and complete- OK<br />
Lineage listed- OK<br />
<br />
negative criteria met:<br />
DAE- NO<br />
Resampled- NO<br />
Diginoise- NO<br />
_______________________________________________________________<br />
<br />
CD/Set 1#: [53:58]<br />
01. The Landlady-> [4:13]<br />
02. Bouncing Around the Room [3:57]<br />
03. 'Sound Problems'* [5:28]<br />
04. Donna Lee [3:58]<br />
05. 'More Sound Issues' [4:10]<br />
06. The Asse Festival-> [2:01]<br />
07. Suzy Greenberg [5:11]<br />
08. Uncle Pen [4:25]<br />
09. Cavern [5:15]<br />
10. The Squirming Coil [6:02]<br />
11. Possum [9:18]<br />
<br />
CD 2/Set 2a: [1:11:18]<br />
01. Mike's Song-> [6:24]<br />
02. I Am Hydrogen-> [2:35]<br />
03. Weekapaug Groove [5:44]<br />
04. Magilla [5:33]<br />
05. Foam [8:22]<br />
06. Reba-> [10:55]<br />
07. Llama [5:21]<br />
08. The Ballad of Curtis Loew [5:01]<br />
09. Fluffhead [14:44]<br />
10. HYHU-> Terrapin-> HYHU [6:39]<br />
<br />
CD 3/Set 2b: [49:13]<br />
01. Buried Alive-> [2:54]<br />
02. David Bowie [12:44]<br />
03. Crowd Noise/Stage Chatter [2:47]<br />
<br />
CD/Set 3:<br />
04. Paul and Silas-> [3:15]<br />
05. Lizards [9:59]<br />
06. Good Times Bad Times [5:04]<br />
07. Contact [6:56]<br />
08. AC/DC Bag$ [5:43]<--<br />
<br />
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<br />
-Venue uncertain.<br />
#During the first set, there are 'noise' artifacts from the Soundboard, they are NOT on the DAT (like 12/8/94).<br />
*2 drop outs due to the fact that the stage crew was correcting the sound problem, therefore the tape is stopped.<br />
$Many dropouts throughout the song, almost unlistenable. If a better seed can be provided, contact me @ danmarq@msn.com
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