Phish 4-18-92 DTS-Audio-CD 5.1 Surround Sound
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Phish
Wilbur Field
Stanford University
Palo Alto, CA
April 18, 1992
DTS-Audio-CD 5.1 Mix
Disc 1 - Set 1
01 [05.28] Wilson
02 [12.17] Divided Sky
03 [05.42] Guelah Papyrus
04 [02.45] Poor Heart
05 [07.24] Split Open and Melt
06 [08.39] Esther
07 [09.19] Possum
08 [08.50] It's Ice
09 [04.09] Sparkle
10 [03.06] All Things Reconsidered
11 [11.01] Antelope
TT [78.41]
Disc 2 - Set 2
01 [04.04] Glide
02 [01.47] Oh Kee Pah Ceremony
03 [05.35] Suzy Greenberg
04 [08.14] Rift
05 [00.32] Manteca
06 [07.52] Bathtub Gin
07 [00.31] Manteca Reprise
08 [10.12] Lizards
09 [06.00] Mound
10 [05.24] Llama
11 [03.59] TMWSIY
12 [02.12] Avenu Malkenu
13 [01.34] TMWSIY Reprise
14 [03.33] Dinner and a Movie
15 [13.40] Harry Hood
16 [01.38] Outro
TT [77.51]
---------------------------------------------------------
Source Info
SBD (ShnID = 4524)
Source: DSBD > Cass? > DAT
Transfer: D8 > Active Oade > cmi8738 spdif in > Sforge 4.5 @48khz
(resampled with highest settings and Anti-Alias) > CDWAV > SHN
AUD (ShnID = 85404)
Source: Neumann KM140s (90'xy,FOB) > Sony D3
Transfer: Tascam DA30MK2 > AudioPhile 2496 spdif in > Samplitude
Pro7 @48khz(resample ultra high 44.1k) > CDWAV > FLAC
---------------------------------------------------------
Notes on the Source Material
SBD (ShnID = 4524)
Source is marked as Cass? but I would bet anything it is from a
master source. The consistent speed throughout with very small,
almost no hiss present at all. Great sound, nicely balanced
with a bit more bass (Mike) in the mix.
AUD1 (ShnID = 31211)
Good sounding AUD. It does not have much crowd in the recording
which would indicate it was made at the SBD but still sounds as
if it was close to the stage (FOB). While this AUD doesn't do
much in adding crowd reaction and energy it to the matrix it does
a great job at adding a depth and richness to the straight SBD.
---------------------------------------------------------
Tech Notes
FLAC/SHNs decoded and Wavemerge was used to reassemble the entire
show back to 1 long wave. CEP2.0 was used to align & synch both
of the sources. SF8.0 used to EQ and adjust the volume for the
center, surround and LFE channels. Surcode CD Pro DTS was used
to encode to DTS.
- Mixed by dan@am-dig.com
- FLAC conversion done 03-SEPT-2008
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper. Design for use in a clear double CD case.
---------------------------------------------------------
DTS-Audio-CD Info
Front
Left Channel SBD +1db
Right Channel SBD +1db
Center
Mono Mix -5db SBD DEQ'd
Surround
Left Channel AUD
Right Channel AUD
Sub/LFE
Mono Mix SBD+AUD Matrix DEQ'd -4db
---------------------------------------------------------
Notes
Entire show is seamless.
SBD was missing "Love You", "Rocky Top", "Contact" and "BBFCFM" and
therefore is not included on any of the Matrix or 5.1 versions.
AUD source had several, maybe even 100, tiny clicks/ticks/pops. These
were all meticulously removed by hand.
d1t07 "Possum" first few seconds clipped on SBD source. This was
patched using the AUD. Several techniques were used to make this patch
as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.
d1t07 "Possum" had a tiny amount of digi noise on the AUD source. This
was seamlessly repaired.
d1t11 "Antelope" had a few seconds of digi noise on the AUD source. This
was patched using the SBD source. The result is very smooth and most
likely completely undetectable.
d2t03 "Suzy Greenberg" had an approx 10 second cut near the beginning. This
was patched using the SBD source. Several techniques were used to make this
patch as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.
---------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.
---------------------------------------------------------
Lineup
Trey Anastasio (guitar, vocals)
Mike Gordon (bass, vocals)
Page McConnell (keyboards, vocals)
Jon Fishman (drums, percussions)
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD and AUD sources listed above at 16/44
2. The AUD source listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 16/44 (6 channel x 16/44)
---------------------------------------------------------
High Resolution Artwork Included
Links to Low rez Previews:
FRONT:
http://img337.imageshack.us/img337/1119/fphish41892dtssmwk2.jpg
REAR:
http://img337.imageshack.us/img337/5677/bphish41892dtssmjs1.jpg
CD1
http://img209.imageshack.us/img209/6878/lphish41882dtsasmtw4.jpg
CD2
http://img402.imageshack.us/img402/5213/lphish41882dtsbsmsy2.jpg
---------------------------------------------------------
Wilbur Field
Stanford University
Palo Alto, CA
April 18, 1992
DTS-Audio-CD 5.1 Mix
Disc 1 - Set 1
01 [05.28] Wilson
02 [12.17] Divided Sky
03 [05.42] Guelah Papyrus
04 [02.45] Poor Heart
05 [07.24] Split Open and Melt
06 [08.39] Esther
07 [09.19] Possum
08 [08.50] It's Ice
09 [04.09] Sparkle
10 [03.06] All Things Reconsidered
11 [11.01] Antelope
TT [78.41]
Disc 2 - Set 2
01 [04.04] Glide
02 [01.47] Oh Kee Pah Ceremony
03 [05.35] Suzy Greenberg
04 [08.14] Rift
05 [00.32] Manteca
06 [07.52] Bathtub Gin
07 [00.31] Manteca Reprise
08 [10.12] Lizards
09 [06.00] Mound
10 [05.24] Llama
11 [03.59] TMWSIY
12 [02.12] Avenu Malkenu
13 [01.34] TMWSIY Reprise
14 [03.33] Dinner and a Movie
15 [13.40] Harry Hood
16 [01.38] Outro
TT [77.51]
---------------------------------------------------------
Source Info
SBD (ShnID = 4524)
Source: DSBD > Cass? > DAT
Transfer: D8 > Active Oade > cmi8738 spdif in > Sforge 4.5 @48khz
(resampled with highest settings and Anti-Alias) > CDWAV > SHN
AUD (ShnID = 85404)
Source: Neumann KM140s (90'xy,FOB) > Sony D3
Transfer: Tascam DA30MK2 > AudioPhile 2496 spdif in > Samplitude
Pro7 @48khz(resample ultra high 44.1k) > CDWAV > FLAC
---------------------------------------------------------
Notes on the Source Material
SBD (ShnID = 4524)
Source is marked as Cass? but I would bet anything it is from a
master source. The consistent speed throughout with very small,
almost no hiss present at all. Great sound, nicely balanced
with a bit more bass (Mike) in the mix.
AUD1 (ShnID = 31211)
Good sounding AUD. It does not have much crowd in the recording
which would indicate it was made at the SBD but still sounds as
if it was close to the stage (FOB). While this AUD doesn't do
much in adding crowd reaction and energy it to the matrix it does
a great job at adding a depth and richness to the straight SBD.
---------------------------------------------------------
Tech Notes
FLAC/SHNs decoded and Wavemerge was used to reassemble the entire
show back to 1 long wave. CEP2.0 was used to align & synch both
of the sources. SF8.0 used to EQ and adjust the volume for the
center, surround and LFE channels. Surcode CD Pro DTS was used
to encode to DTS.
- Mixed by dan@am-dig.com
- FLAC conversion done 03-SEPT-2008
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper. Design for use in a clear double CD case.
---------------------------------------------------------
DTS-Audio-CD Info
Front
Left Channel SBD +1db
Right Channel SBD +1db
Center
Mono Mix -5db SBD DEQ'd
Surround
Left Channel AUD
Right Channel AUD
Sub/LFE
Mono Mix SBD+AUD Matrix DEQ'd -4db
---------------------------------------------------------
Notes
Entire show is seamless.
SBD was missing "Love You", "Rocky Top", "Contact" and "BBFCFM" and
therefore is not included on any of the Matrix or 5.1 versions.
AUD source had several, maybe even 100, tiny clicks/ticks/pops. These
were all meticulously removed by hand.
d1t07 "Possum" first few seconds clipped on SBD source. This was
patched using the AUD. Several techniques were used to make this patch
as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.
d1t07 "Possum" had a tiny amount of digi noise on the AUD source. This
was seamlessly repaired.
d1t11 "Antelope" had a few seconds of digi noise on the AUD source. This
was patched using the SBD source. The result is very smooth and most
likely completely undetectable.
d2t03 "Suzy Greenberg" had an approx 10 second cut near the beginning. This
was patched using the SBD source. Several techniques were used to make this
patch as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.
---------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.
---------------------------------------------------------
Lineup
Trey Anastasio (guitar, vocals)
Mike Gordon (bass, vocals)
Page McConnell (keyboards, vocals)
Jon Fishman (drums, percussions)
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD and AUD sources listed above at 16/44
2. The AUD source listed above at 16/48
3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44
4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48
6. DVD-Audio 5.1 Surround Sound at 16/44 (6 channel x 16/44)
---------------------------------------------------------
High Resolution Artwork Included
Links to Low rez Previews:
FRONT:
http://img337.imageshack.us/img337/1119/fphish41892dtssmwk2.jpg
REAR:
http://img337.imageshack.us/img337/5677/bphish41892dtssmjs1.jpg
CD1
http://img209.imageshack.us/img209/6878/lphish41882dtsasmtw4.jpg
CD2
http://img402.imageshack.us/img402/5213/lphish41882dtsbsmsy2.jpg
---------------------------------------------------------
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