"inside" articulates itself through the "seeing" of its protagonist Hanna -- a person in an existential situation. This "seeing" creates diverse images -- observations? / metaphors? / hallucinations? All of these real-time images are shown from the protagonist's perspective. Hanna uses her seeing: analysis first, production (decision) next. Her spectrum embraces seeming voyeurism, observation of natural processes and also the direct view at herself by leaving her body.

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