Phish<br /> August 28th, 1992<br /> Concord Pavilion<br /> Concord, CA<br /> <br /> -Source recorded by Jean Lerond &lt;lerond@gmail.com&gt;<br /> -Source labeled - Sonic Studios DSM-6 omnidirectional binaural microphones &gt; Sony TCD-D3 @ 16/48<br /> -Source transfer - Fostex D5 DAT &gt; S/PDIF &gt; M-Audio Firewire Audiophile &gt; Sony Sound Forge 9.0e build 441 <br /> -48khz wav &gt; FLAC Level 8 via libFLAC v1.1.4 20070213<br /> -Source flac's provided by MarcoEsc@phish.net<br /> <br /> -48khz FLAC &gt; wav transfer via Trader's Little Helper<br /> -48khz &gt; 44khz sample rate conversion via iZotope SRC 64 bit SRC<br /> -Tracking performed in Adobe Audition 3.0<br /> -FLAC conversion via Trader's Little Helper<br /> <br /> Final transfers by ifthir@hotmail.com 7/12/2011<br /> <br /> <br /> 1. The Squirming Coil [7:33]<br /> 2. Runaway Jim [8:46]<br /> 3. Rocky Top [2:38]<br /> <br /> Total Time [18:57]<br /> <br /> <br /> Show notes:<br /> <br /> Phish opened for Santana<br /> Missing Poor Heart, Foam, Stash, Sweet Adeline<br /> The Squirming Coil comes in after Trey sounds to be talking about a broken string<br /> <br /> Source notes:<br /> <br /> At some point after the tour, I cloned the Master DAT recordings of the Concord, Shoreline and Sacramento Phish segments onto a single DAT. The only editing performed at that time was to trim the sets, beginning and ending each recording with a digital fade in/out (using functionality built into the cloning DAT deck, probably a Sony DTC-60ES DAT). Unfortunately, I made no notes about my location, so unless I can turn up a ticket stub (darn unlikely!), that info will remain lost. The first half of the set is missing because we got stuck in traffic on the way to the show. As is clearly audible, the levels are initially set too low, and are turned up between ~2:08 and again at ~2:55 or so, before being cut back at ~3:08. It's unlikely that I touched them again after that.

Tags: phish, phish liveset

Category: Music > Liveset

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