Little Feat 1988-04-29 S.S. President, New Orleans LA - AUD w/ Bonnie Raitt & Jimmy Buffett, first show of reunited Feat
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Little Feat
S.S. President
New Orleans, LA
April 29, 1988
early show – first performance of the reunited Feat with Fred Tackett and Craig Fuller

AUD MASTER > UNKNOWN LINEAGE > CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC
Files and checksums consolidated into one folder, data file modified by Featroller 11/2/10.

CD 1 – [44:49]

1-Fat Man In The Bathtub
2-Spanish Moon >
3-Skin It Back
4-All That You Dream
5-Cajun Girl
6-Oh Atlanta
7-On Your Way Down*
8-About To Make Me Leave Home*
9-Three Time Loser*

CD 2 – [44:58]

1-Hate To Lose Your Lovin'*
2-Let It Roll
3-Band Intros
4-Old Folks Boogie+
5-Dixie Chicken* >
6-Tripe Face Boogie*
7-Willin'
8-Rock & Roll Doctor*
9-Feats Don't Fail Me Now

*w/Bonnie Raitt
+w/Jimmy Buffett & Ed Bradley (of 60 Minutes)

The Radiators opened

Featroller Review, Historic Edition:

Here it is, the dawn of the Second Coming, Little Feat 2.0, rolled out for the public on a riverboat the
night before Jazzfest. The vibe is fantastic! It sounds like a decade's worth of pent-up music is bursting
out of the guys almost faster than they can control it. By current standards every track is short but
blistering.

Even better, Bonnie Raitt doesn't just appear, she joins the band. They do two of Bonnie's best songs –
Richie and Kenny and Sam are at their funky best on Leave Home – and she wields a wicked slide guitar.
And it's fitting, because to my ears anyway Bonnie sounds more like Lowell than any other slide player.
On Your Way Down is gorgeous, with Craig and Bonnie trading vocals, as is Dixie Chicken. Jimmy Buffett
and Ed Bradley are onstage for the latter songs but they're pretty hard to hear (which is probably a
good thing in Ed's case). Bonnie again shares vocals and slide on a wonderful Rock & Roll Dr. I saw an
article asking various musicians what's the one song they can't imagine living without, and for Bonnie it
R&RDr.

The recording is somewhat less than pristine. But it captures the atmosphere extremely well, with the
drunkenly enthused featfans singing along at full throttle. This may be the only audience recording where
I don't much mind the crowd chatter. It gives you a feeling of what it must've been like to be one of the
lucky few that night, afloat on the Mississippi River and an ocean of booze and the rebirth of America's
greatest rock 'n roll band.

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